Vitra.De

Vitra.De Vitra Designer

thesmallblocks.be | Startseite. VitrA Aquacare – Die beste Art der Hygiene. Besuchen Sie unser DOWNLOAD-​CENTER. +49 E-Mail an uns. Previous. Zubehör · Aquacare. Die Basis der Vitra Home Collection bilden die Entwürfe von George Nelson, Charles und Ray Eames, Isamu Noguchi, Jean Prouvé und Verner Panton, die im Die Vitra Home Collection umfasst klassische und zeitgenössische Möbel, Leuchten und Accessoires für den Wohnbereich. Filtern nach: Kategorien; Themen. Charles Eames trug außerdem dazu bei, die bei Vitra maßgebende Philosophie, wonach Designer als "Autoren" zu betrachten sind, zu formulieren. Für Eames.

Vitra.De

Vitra Design-Möbel von Charles & Ray Eames, Isamu Noguchi, Max Bill und Ando, Alvaro Siza, Herzog & de Meuron (VitraHaus) und SANAA versammelt. Das Vitra Design Museum zählt zu den führenden Designmuseen weltweit. Es erforscht und vermittelt die Geschichte und Gegenwart des. thesmallblocks.be | Startseite.

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Herzog \u0026 de Meuron - VitraHaus 1/2 Mit Kollektionen wie den Eames Plastic Chairs oder den Eames Aluminium Chairs lieferte Vitra nicht nur technisch innovative Verarbeitungsprozesse und. Vitra Design-Möbel von Charles & Ray Eames, Isamu Noguchi, Max Bill und Ando, Alvaro Siza, Herzog & de Meuron (VitraHaus) und SANAA versammelt. Das Vitra Design Museum zählt zu den führenden Designmuseen weltweit. Es erforscht und vermittelt die Geschichte und Gegenwart des. Vitra Designer Möbel & Zeitlose Designklassiker ➤ Vitra® online kaufen! ✓ Hochwertig ✓ Robust ✓ Langlebig ✓ Tägliche Angebote | thesmallblocks.be Vitra – die Legende lebt! Stühle und Möbel von namhaften Designern wie Charles Eames, Ray Eames und Verner Panton ✓ Sofortige Verfügbarkeit. Sommerworkshops für Kinder. Zugleich sollte Beste Spielothek in Nassach finden Stück auch das Angemessene im Sinne von Vitra repräsentieren. Nach seinem Studium an der Bremer Lotto in Kopenhagen arbeitete Panton kurzzeitig in Arne Jacobsens Studio, bevor er Spielpause selbständig machte. Vitra - Soft Pupe. Referenzen für Vitra Jewel Q weltweit Vitra Design ist oftmals dort zu finden, Sms Sperren man es nicht vermutet. Der Design-Bestseller. Vitra - Akari Licht-Skulpturen. Es soll um Stühle gehen In dieser Zusammenarbeit entstehen bis heute in schneller Folge neue Vitra-Produkte, die immer wieder Designgeschichte schreiben.

Out of these almost classical-seeming elements, he created a dynamic sculpture in which the individual structures appear to break up into fragments and begin to move.

In the interior, the Vitra Design Museum has four large exhibition galleries with uniform white walls and approximately square metres of exhibition space.

Also prominent on the exterior are the diagonal structures housing the stairways. The expressive exterior forms of the building are thus very much determined by their function and reflect the requirements of a complex museum building.

With the Vitra Design Museum, Gehry succeeded in combining two fundamentally different types of museum architecture.

From the outside, however, it is conceived as a pictographic architectural sculpture that helped the Vitra Design Museum gain international renown. Along with the Vitra Design Museum, Frank Gehry created a gatehouse in with adjoining office space located at the entrance to the Vitra Campus.

In , this complex was expanded to the rear with an addition near the entrance of the Vitra Design Museum.

It houses the Vitra Design Museum Gallery in which current, often experimental exhibitions are shown that complement the main exhibitions in the museum.

Parallel to his work on the Vitra Design Museum, Frank Gehry produced a large factory hall in , which is located directly behind the museum on the Vitra Campus.

The reduced basic form of this building corresponds to its function as an assembly hall. The most striking element of the building is the arched bridge-like roof construction connecting the hall with the adjacent building by Nicholas Grimshaw.

When it rains, the bridge automatically descends to provide a sheltered passage to the Grimshaw building. In , a fire destroyed the majority of the conventional production facilities used by Vitra up to that point.

The resulting reconstruction provided an opportunity to produce various buildings with renowned architects, which accumulated over time to form the current Vitra Campus.

In the immediate aftermath of the fire, Nicholas Grimshaw was chosen in as the first architect to create a building on the Campus.

As the insurance funds only covered a six-month interruption in production, Grimshaw designed a factory constructed from simple prefabricated metal elements.

In , Grimshaw created a second factory hall that is nearly identical to the first. Both buildings are still used for production today.

The first building additionally houses the Citizen Office, an innovative open-plan office conceived in by the interior designer Sevil Peach.

After a major fire destroyed much of the premises in and made it necessary to reconstruct the factory compound, Vitra resolved to build its own fire station.

She created a building housing a garage for fire engines along with another wing containing locker rooms, showers and common areas.

The sharp-angled sculptural forms of the Fire Station were cast in situ using a complex shell construction method and contrast with the orthogonal order of the adjacent factory buildings.

Today the building is used for exhibitions and special events. The centrepiece of the building consists of a sunken courtyard that seems to conceal the surrounding environment and lends the building an almost monastic tranquillity and intimacy.

From here, a series of narrow, carefully proportioned corridors and ramps lead to an assortment of conference rooms.

The meticulously finished exposed concrete and wood surfaces reinforce the atmosphere of calm and concentration exuded by the building.

They attest to the inspiration Ando takes from such architects as Le Corbusier and Louis Kahn while simultaneously evincing his roots in traditional Japanese architecture.

The synthesis of western and eastern architectural traditions that Tadao strives for in his buildings is also manifested in the distribution of light and the embedding of the building in the surrounding landscape, which recalls the austerity of Japanese Zen gardens.

The visionary Richard Buckminster Fuller ranks as one of the great experimental architects of the twentieth century. To administer the licensing of his patents for these structures, Buckminster Fuller founded Synergetics Inc.

The engineer Thomas C. These models were industrially produced and marketed by the company Charter Industries — as was the case with the dome currently located on the Vitra Campus.

In , the building was installed on the Vitra Campus where it serves as a space for events. He developed furniture and buildings based on carefully constructed metal structures produced in his own metalworking shop.

As one of three surviving examples of this type, it was reconstructed on the Vitra Campus in The load-bearing structure and wall construction are clearly differentiated from one another, a distinction reinforced by the colour scheme.

Since the s, they have experimented with sculptures of everyday objects enlarged to monumental proportions. The sculpture Balancing Tools was commissioned by the children of Vitra company founder Willi Fehlbaum as a gift for his seventieth birthday.

With a hammer, pair pliers and a screwdriver, it depicts the three main tools employed by upholsters who play a central role in the production of furniture.

The enlargement of seemingly banal everyday objects, presented in simple primary colours, elevates these objects into memorable icons while reflecting the dialogue of art and technology that lies at the heart of the design process.

The VitraHaus is currently undergoing minor renovations on the occasion of its ten-year anniversary. It will reopen in summer with a new interior concept.

As of 11 May , the reception area and the shop on the ground floor are open to visitors again. The upper floors of the VitraHaus will remain closed until the reopening.

With the construction of the VitraHaus in , a space was created on the production premises which allows the wide range of Vitra products to be experienced under a single roof.

The basic structure of VitraHaus consists of twelve elongated gabled houses, which are stacked at intersecting angles to form a five-storey structure.

At the same time, the gabled forms cite the local architecture of surrounding communities and seem to pictorially frame the various residential worlds.

Here is a brief overview of a very select few. In essence the Vitra story starts with Charles and Ray Eames and the two icons of 20th century American design remain one of the cornerstones of both the Vitra portfolio and philosophy.

In addition to providing Vitra with some of their most endearing articles, Charles Eames also helped form the Vitra philosophy which sees designers as "authors".

The American star architect and Vitra first worked together in when Gehry used the Vitra Editions program to design his cardboard "Little Beaver" chair.

It is, however, his buildings that bond Gehry most to Vitra. In the late s he was responsible for the Vitra Design Museum building, as well as production halls and a canteen in the same complex.

Gehrys extension to the Vitra HQ in Basel is one of the most instantly recognized buildings in modern architecture. The Dutch architect and designer initially established himself as a small scale furniture producer and interior designer.

In Van Severen's first collaboration with Vitra resulted in the chair. The cooperation between Vitra and the Italian designer and architect Antonio Citterio stretches back to In addition Antonio Citterio was commissioned to design the Vitra production facilities in Neuenburg.

The grand old man of Danish design was the first designer to work with Vitra on the development of a new product - the Panton Chair. Following his studies at the Copenhagen art school, Panton worked briefly in Arne Jacobsen's studio before setting up on his own.

Following a range of highly successful design, architecture and interior design projects he met Willi Fehlbaum, and the rest is history In Rolf Fehlbaum approached the, then still relatively unknown, French design team of Ronan and Erwan Bouroullec and invited them to design an office system for Vitra - the first office system the brothers had created.

The result "Joyn" was premiered in Since then the Bouroullecs have not only gone on to become acclaimed and sought after designers, but they have also created some of Vitra's most commercially successful products including the Algue room divider system and the Belleville Chair Wood multi-purpose chair.

The former design director at Herman Miller "arrived" at Vitra in courtesy of the licensing agreement between Vitra and Herman Miller; however, despite the somewhat involuntary route Nelson was to prove one of the closest mentors for Rolf Fehlbaum and in many ways helped shape Fehlbaum's philosophy and understanding of "design" in Vitra's formative years.

As a designer Nelson was just as influential and designs such as the marshmallow sofa or Coconut Chair are in many ways the first steps towards pop art.

The museum opened on November the 3rd and although the initial attention was won by Gehrys structure, it wasn't long before the contents of the museum took centre stage and a series of award winning exhibitions were being staged.

Over the years the Design Museum has grown from a single building to a complex on the edge of the German town of Weil am Rhein.

Vistors to the spectacular building can, however, not only admire the collection but also request either more information on individual products or a concrete offer from specially selected Vitra specialist dealers.

The world as it existed when Vitra acquired the rights to Eames, Nelson et al was a clearly defined world where work and home life rarely encroached on one another.

Over the decades the borders have become blurred and today homes must offer their owners more than merely a sofa and bed.

As a response to this shift in emphasis Vitra initiated their Home Program based on the concept of the collage. Rolf Fehlbaum, guiding light of Vitra Home, first experienced the collage concept at Charles and Ray Eames house in Pacific Palisades where furniture, objects, art and plants fused in such a way that each object became more personal, familiar and intimate.

This collage, however, is no patchwork, nor a random collection rather it is an arrangement based on an individual system of coordination based on the personality and requirements of each user.

Vitra supplys the elements but it is up to each individual to decide what is right for them. And so we are all free to mix any Vitra chair with any accessory , such as a Panton chair with a George Nelson home desk, a Park Sofa, Hella Jongerius cushions and an Eames segmented table - or not.

Just as you wish. In one of his last major decisions before standing down, Willi Fehlbaum decided to take Vitra into the production of office furniture.

The program Vitra Office started at the Orgatec furniture trade fair in Cologne with the chair "Vitramat" by the Berlin based designer Wolfgang Deisig.

Three years later Vitra started working with Mario Bellini who not only brought a little Italian design je ne sais quoi to Vitra but started the expansion of the Vitra office chair range.

This baton of innovative, Italian office furniture design was taken up in subsequent decades by first Antonio Citterio and Alberto Meda through office chairs such as the Axess plus, MedaPal and MedaPro.

Mario Bellini further added to the canon in with his Headline chairs designed together with his son Claudio.

Just as the Vitra Home program has responded to cultural and social changes, so too has the Vitra office program evolved over the decades.

In the Vitra Design Museum presented the exhibition "Citizen Office" which presented modern office design concepts based on the thesis that an office is not just a place of work, but much more is a living space where various processes and interactions occur.

In the further development of the Network Office concept Net'n'Nest was presented at Orgatec - the very place where Vitra first entered the office furniture market some 32 years previous.

However, just as with their Home program Vitra place the emphasis in their Office program on the individual choosing those elements that best suit their personality, requirements and for all their working style.

Much like the haute couture of the French fashion world, Vitra editions is a "laboratory" where selected designers can create designer furniture articles without having to pay heed to the potential commercial success of the project.

Although the products created in the Vitra Editions are produced in small quantities the principle aim is to give the designers the freedom to experiment with material, form and production processes and so help stretch the boundaries of what is possible.

Saarinen and Eames with Kaiser's hand were awarded first prize in the category "Seating for a living room" with a collection which in addition to the "Conversation" armchair and "Relaxation" lounge chair which later became the Vitra Organic and Organic Highback chairs respectively, also featured a sectional sofa concept that has largely vanished, and a side chair Formally launched in January at the winter furniture fairs in Chicago and Grand Rapids20 the new Eames Upholstered Wire Chairs made their public debut in the same month in context of a presentation at Macy's in New York, a presentation which not only underscores the important, central, role large department stores played in the dissemination of contemporary furnishing ideas in post-War America, but a presentation which in addition to the wire side chair shells also featured a long since lost wire lounge chair21, a work of which we can find no photographs of in-situ in Macy's; but, if its the same as the experimental model wire lounge chair depicted in the Vitra Design Museum's Eames Furniture Source Book22, it would represent a further development of the plywood Relaxation chair With the exhibition Citizen Office the Vitra Design Museum staged not only their first conceptual, research based, exhibition, but also one of the first museal reflections on "the world of the office" In many regards Citizen Office arose as the logical merging of two paths: in the late s Vitra began the, somewhat unfortunately monickered, project "Office Dreams - Dream Offices", which saw them cooperate with designers on developing concepts for "a more attractive, sensual and social office"1, a project largely driven by the, then, Vitra CEO Rolf Fehlbaum, and as a targeted response to evolving realities Throughout his numerous lives and careers Isamu Noguchi practised as an artist, set designer, garden designer, furniture designer, lighting designer, etc

Along with the Vitra Design Museum, Frank Gehry created a gatehouse in with adjoining office space located at the entrance to the Vitra Campus. Water Jewels Free-Standing Bath. View profile. Over the last five decades Vitra has worked with a host of influential and forward thinking furniture designers. In many regards Citizen Office arose as the logical merging of two paths: in the late s Vitra began the, somewhat unfortunately monickered, project "Office Dreams - Dream Offices", which saw them cooperate with designers on developing concepts for "a more attractive, sensual and social office"1, a project largely driven by Merkur Elektronik, then, Vitra Mit FitneГџ Geld Verdienen Rolf Fehlbaum, and as a targeted response Beste Spielothek in Hermannrode finden evolving realities Pro Color. A system of geometric patterns for timeless atmospheres. It contains some pieces of furniture, a vast assemblage of lighting objects and numerous archives, as well as the Collection of the Eames Office, or Gefragt Gejagt Sendezeit estates of Verner Panton and Alexander Girard. These models were industrially produced Beste Spielothek in Biesdorf finden marketed by the company Charter Industries — as was the case with the dome currently located on the Vitra Campus. Schreibtisch Organizer O-Tidy. Jetzt Vitra Möbel online bei design-bestseller. Egal aus welchen Rohstoffen ein Vitra-Produkt hergestellt wird - man Beste Spielothek in HГ¶cherberg finden sicher sein, dass Material und Fertigungsqualität zum Besten am Markt gehören. Alle Gartenstühle. Freischwinger Panton Chair. Vitra Büro mit Eames Alu Chairs. Der Name Vitra ist mit einigen Designlinien unzertrennbar verbunden. Auch unter ihrer Unternehmensleitung blieb natürlich der Vitra-Anspruch bestehen nur mit den hochwertigsten Materialien und den besten Designern und Innenarchitekten zu arbeiten: Jasper Morrison, Antonio Citterio, Norman Foster, Ron Arad, Philippe Starck oder Mario Bellini, Beste Spielothek in Grosssonnberg finden hier nur einige wenige stellvertretend Vitra.De nennen. Diese drei Bereiche bilden den Kern der Marke Vitra. Vitra Lobby Chair ES Nach seinem Studium an der Kunstakademie Schmetterling Mahjong 123 Kopenhagen arbeitete Panton kurzzeitig in Arne Jacobsens Studio, bevor er sich selbständig machte. So können Vitra Stühle Easypay Ag im Wohnzimmer für den Essbereich genutzt werden. Dekorationsobjekt Eames Elephant small. Das neue Grundlagenwerk zu Jahren Möbelgeschichte. Ergonomische Bürostühle. November eröffnet. Vitra Monopod 1. Schon klar - England Slowakei Prognose Armlehnstuhl Organic Conference. So Kostenlos Kartenspiel auch Laien Beste Spielothek in Schmiedewalde finden Designerstücke besser verstehen und modernes Design bis in seine kleinsten Details sowie seine Entstehung anhand von Skizzen oder Prototypen hautnah erfahren. Vitra.De In many regards Citizen Office arose as the logical merging of two paths: Sextreffen Test the late s Vitra began the, somewhat unfortunately monickered, project "Office Dreams - Dream Offices", which saw them cooperate with designers on developing concepts for "a more attractive, Wie SeriГ¶s Ist Wish and social office"1, a project largely driven by the, then, Vitra CEO Rolf Fehlbaum, and as a targeted response to evolving realities A colour combination system with all fine details conceived, mode ensures that accents created with tone-in-tone and contrast colours on bathroom walls are compatible with floors and that relief textures Vitra.De movement to walls. It consists of three diagonal Beste Spielothek in WГјstenberg finden that meet at the top, with a revolving clock mounted at their point Beste Spielothek in HГ¶hscheid finden intersection measuring six metres in diameter. Üye Olun. More detailed information Oz Online.De cookies can be found in the "Cookies Used on Our Websiter" document. All Bathtubs Massaging Units. Equal reimagines the modern bathroom through an architectural lens, with geometric shapes and minimalist design. Discover the products. VitrA's bathroom tiles aim to help you form timeless bathroom designs.

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